Audition Dates for the 2024/2025 Season *
Audition details will be posted on each show page approximately one month prior to the audition dates.
Audition details will be posted on each show page approximately one month prior to the audition dates.
Directed by Larry Hartley
This Valentine’s Day, experience the magic of The Fantasticks, the world’s longest-running musical, at the Pines Evergreen Room! Perfect for a romantic evening, The Fantasticks offers an enchanting look at the journey of young love through captivating music and poignant storytelling.
Set against a simple yet mythical backdrop, the narrative centers on Luisa and Matt, two innocent teenagers who fall in love, only to discover the complexities of life beyond their neighboring backyards. A whimsical tale of romance and reality, this production features memorable lyrics and soothing melodies that have charmed audiences for generations. From the enduring favorite “Try to Remember,” to playful and heartfelt ballads, the score of The Fantasticks perfectly complements this touching story of love’s trials and treasures.
Performance Dates:
February 14, 15, 21, 22, 2025 at 7:30 PM (Dinner begins at 6:00)
February 16 at 2:30 PM (No dinner)
Characters to be cast in The Fantasticks are:
(Lead. Late teen/Young adult. Soprano with some coloratura and chest singing.) A sweet 16-year-old girl who falls in love with Matt. Luisa is a dreamer, who fantasizes of a life that is “much more” than what she’s accustomed to. Luisa is delicate and sweet, and quick to swoon when Matt says something particularly wonderful. Matt criticizes Luisa for being “childish,” but Luisa likes to think that she is instead “child-like.” She is somewhat naive and expects that Matt will live up to her expectations of a knight in shining armor.
(Lead. Late teen/Young adult. Baritone): A romantic adolescent, Matt is in love with Luisa and in love with love itself. Matt is poetic and effusive in his love for Luisa. Although he is not naturally bold or physically imposing, he is quick to defend Luisa when she is in danger. Despite the love he feels for Luisa, Matt begins to feel trapped by his relationship but comes to understand how much he loves the simple life he once longed to leave behind.
(Lead. Adult Male. Baritone.) Confident, alluring, gallant, and a smooth operator, El Gallo welcomes the audience into the story and continues to serve as a liaison between the characters and the audience, throughout. He has a sweet sentimentality and a presence that suggests that he knows things that no one else does. Despite his gentleness with the audience, El Gallo also has the ability to wreak great havoc within the world of the play.
(Supporting. Adult Mature Male (may be played by a female) Incredibly proud of his legacy as a Shakespearean performer and carrying clippings from his performances just in case anyone wants to see them, Henry is a bit “down on his luck” these days. He is incredibly positive and eager to perform whenever he gets the chance and sees himself very much as the star.
(Supporting. Adult Male. Baritone.) Bellomy struggles with the large job of parenting a daughter. Unlike the vegetables he loves to grow, his daughter is unpredictable and not “useful,” just beautiful. Bell is a button salesman, so he appreciates and understands usefulness. Beauty is a little more foreign. Although Huck and Bell pretend to be enemies (and are good at it), they are actually exceedingly close friends. Bellomy should have a great comedic rapport with Hucklebee.
(Supporting. Adult Male. Baritone) Hucklebee was once in the Navy and traveled around the world. It was in the Navy that he discovered a passion for horticulture. His philosophy on gardening is that moderation is best in all things. He is strict with his son, however, it is revealed that this is — at least in part — an element of a larger strategy to use reverse psychology to convince Matt to fall in love with Luisa. Although Huck and Bell pretend to be enemies (and are good at doing so), they are actually exceedingly close friends. Hucklebee should have a great comedic rapport with playing Bellomy.
(Featured. Mature adult male that may be played by a female. Cockney accent.) An older actor, his wheelhouse is “death scenes,” and he’s been doing them with Henry — his partner and fellow actor — for over 40 years. Mort is very proud of his legacy as a specialist in “dying”. He’s quieter than Henry, and always about four steps behind. Mort relies on Henry to inform him of his cues and where he’s supposed to be onstage. He is physically clumsy and forgetful.
(Featured. Either gender. Age range is flexible.) El Gallo’s assistant, in a way. The Mute provides props, creates settings, and most importantly, plays the role of “Wall,” standing between Matt and Luisa’s houses. Although the Mute occasionally interacts with the other characters, he or she is entirely mute — no speaking, no sounds, no nothing. There is a lot of flexibility in the role of the Mute, and lots of choices to be made.
Audition Dates:
November 17 and 18 at 7:00 PM at the Royal Off-the-Square Theatre, 121 W Walnut Street’ in Brownstown. Show dates will be February 14, 15, 16, 21, and 22, at the Evergreen Room in Seymour. Most rehearsals will be held in Seymour.
Eight performers are needed. Other than a male and female aged 15-25, anyone who can play beyond their age may consider El Gallo or Mortimer. The Mute is also a feature role and requires no speaking. Auditioners are asked to prepare a song and bring digital accompaniment. Readings will be from the script.
Anyone with questions or who cannot make the audition dates but would like to still be considered, please reach out to director Larry Hartley at lhartley@jcct.org or production manager Andy Dick at adick@jcct.org.
Directed by Paul Keller
Steel Magnolias explores the enduring bonds among a group of Southern women in a small-town beauty salon. Through laughter and tears, the women share life’s joys and challenges, from weddings and births to illness and loss. Central to the story is the delicate yet resilient relationship between Shelby, a young woman with health challenges, and her mother, M’Lynn.
Set in Louisiana, the play showcases the strength and grace of these women, described as being as “delicate as magnolias but tough as steel.” This touching narrative celebrates friendship, motherhood, and the power of community.
Performance Dates:
April 25 & 26 and May 2 & 3, 2025 at 7:30 PM
April 27, 2025 at 2:30 PM
Roles TBA
Audition Dates:
March 2 and 3 at the Royal off the Square Theatre in Brownstown.
Details TBA
* To audition for a role in one of our plays, check the audition schedule above. Auditions are held in our theatre in Brownstown unless otherwise stated. Our February play is presented as a dinner theatre in Seymour. All other performances are on our stage in Brownstown.
Anyone wishing to work on the production in an offstage capacity (lights, sound, set building, painting, ushering, costuming, etc.) is welcome to attend auditions, or to contact JCCT at 812-358-JCCT or email: mail@jcct.org.
Unless the director specifies otherwise, no preparation is needed for auditions. However, those trying out should bring a list of dates which might conflict with rehearsals. Jackson County Community Theatre is found at the Royal Off-the-Square Theatre, 121 W. Walnut St., Brownstown.
If you have any questions, please send and email to: mail@jcct.org
* Unless otherwise noted, auditions are held at the theatre.
Would you like to direct a play? Go to the: Director’s Page